Burial Suit - 2014 Demo

Hardcore isn't something I think of when I think of Olympia music. Even long term Olympia institutions, like GAG, have their roots in something else. I find Olympia hardcore to be incredibly old-school, maybe with some outside element to bring it forward, but Blank Boys and Kill Shot sounded like they were birthed in California in the early eighties.

Burial Suit doesn't fit into this model. Their music is still undeniably formed from a serious foundation of punk rock, but in the tradition of bands like Last Lights and Gallows, there's some palpable noise influence, and the metallic edge is gleaming for all to see.

This demo is a breath of fresh air, not just for Olympia, but for the world of hardcore at large. Kicking off with a discordant, watery ambiance piece may be an over-done approach, but showing their ability to keep it down and build mood while approaching the inevitable slowdown and feedback ring-out, really grabbed me. Doing a musical intro on a demo might seem like a risky endeavor. I personally think it conjured ideas of the future. It really showcases the band's ability to create a scene, musically. Engaging the listener. Perhaps they could even employ this tactic and give us an album that flows better than something by Pink Floyd or Nine Inch Nails; gods of the concept album.

The first actual song on this demo is a the break-neck, "Broken." It's short and brutal. The drums are demanding. The guitars blast through, with punk-like simplicity, and metal-like precision. Chanting back-ups once again stir thoughts of classic punk in cramped back rooms, while the powerful growls of the leader hearken to a simpler time of brutal death metal. It reminds me of Trash Talk in that way.

The second actual song starts out like something from Comeback Kid, but the second you hear the vocals it loses that. There's no whiny kid leading this outfit. The guy who's in charge here sounds like he ate that guy from CBK for breakfast. The conviction from the entire band really make this track stand out. There are some amazing starts and stops. Most of all, the lyrical content of, "Salesman! Bastard Salesman!' is really relatable. Who hasn't felt like screaming for hours on end after an annoying run-in with some douche at a Verizon Counter? ...or even worse, a car lot? This track really demonstrates the versatility these guys can bring to one song. Just how variable their sound is. How quickly they can glide through that shit.

The last track has a melancholy guitar intro that breeds a feeling of loneliness, then blows straight into intense blast beats. It's fucking unsettling... Then comes the noise break. I think you get where I'm going. It's another master piece hidden right in plain sight.

The demo as a whole is very minor key, dark, diverse, tight as a drum, fast as fuck, and full of the kind of power that could put these guys on the circuit with some of the biggest names in the industry. If you missed them at Bleak Outlook, you'll have to start stalking their Facebook. These guys aren't slated to play Capital City Punk and Core Fest, or Rain Fest. Which was a mistake by the bookers in both cases.

Enemy Combatants - Ignorant Bliss

If you're a fan of Punkcore Records bands like, a Global Threat, or Clit 45; and enjoy the heavy breakdowns of hardcore bands like Backtrack, there's no reason not to love Enemy Combatants. Not unless, adding "fucking" to the middle of  word to ensure the proper amount of syllables will ruin a song for you.

Their Ignorant Bliss EP is straight punk. From the cover art that I can only assume is Rush Limbaugh slamming pain-killers and puffing a huge cigar, to the total run time of ten minutes and two seconds. Looking at the cover, I expected the tracks themselves to come off a lot more lo-fi. Enemy Combatants is a very DIY band, but you might not guess that from the recordings. The guitars are powerfully defined, the vocals are crispy, and the bass is present without sounding like a down-tuned guitar. The drums seem to have fallen prey to a lack of competent mics, however. The snare is kinda dull and low in the mix, but it still carries the band adequately. The most impressive thing is, I can't tell whether the guys practiced eight hours a day for a month prior, did a million takes, had amazing post production, or are just fucking machines. I couldn't find a single weak or misplaced note on the whole thing. I never got that cut-and-paste feeling that comes from heavy post production, either.

These four cuts give a telling cross section of what Enemy Combatants have to offer. From a typical street anthem about uniting and fighting back, to a low, metal-tinged intro on a song depicting the frustration that comes with a stagnant and abusive political system. The title track really stands out as an amalgam of hardcore and street. Tying together expertly delivered vocals, gang choruses, metallic hardcore breakdowns, and intricate guitar leads. The final track is a crowd pleasing sing-along. "Fuck You" isn't eloquent, it's repetitive, and it's everything that got me into punk in the first place. Telling the world that you refuse to conform, be led, or live within a superficial construct of what it means to be a person. Turning the anger that comes from constantly being forced into a position unfitting of a rat, into something positive. A joyful little ditty to get the kids up and moving.

If you're a lyric listener, and expect a certain level of articulate mastery in your verse/ chorus journey, you probably shouldn't bother. These messages weren't meant for you. The points made here are simple, but heartfelt. If you can look past choruses like, "The time is right, so u-fucking-nite," and "Fuck you, That's what we say. We don't need you. Hey! Hey!" or that happens to be what you're into, then the musicianship is really going to be worth your time.

4 out of 5

City Bear Designs - Seattle Musician Still Contributes Locally Despite Move to East Coast

Garrett Griebel used to play guitar in Burn Burn Burn. He recently moved to the east coast, but he's still contributing to the local music scene by doing graphic design with his company, City Bear Designs.

Of course, he's done things for Burn x 3, including the cover for their upcoming split with Stabbed in Back. He's also worked with locals like, Silent Oposition, On the Ground, and the Whorewoods. The results of which have all kind of blown me away.

I was recently asking for someone to help me with a logo for Fringe Music, on my personal Facebook. Garrett messaged me and offered to work something up, as he was in between projects. I really didn't know what I was looking for, but I mentioned that, "ferocious animals are cool," and "I like big cats." He came back with the two logos below in less than 48 hours. I may not have known what to ask for, but I definitely got exactly what I wanted. I couldn't stop grinning like an idiot for the rest of the night.

Garrett and I aren't really close friends, but I know him well enough to say that he's a sweetheart, very professional, and damn good at what he does. If you ever find yourself in need of some graphic design work, I'd highly recommend City Bear. Don't just take my word for it, head over to www.facebook.com/citybeardesigns and take a look for yourself.